– Read This Before You Buy the Zoom H5 in — SKYES Media
These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. You select one clip at a time and change its playback speed with the thumbwheel. This H8 has the most extensive storage capability than the H5 and H6. They also have manual downloads and if there’s a firmware upgrade, you’ll also find that on the Zoom site. The reason is because I like to have the mic quite close to me, and having it on the side prevents plosives.
Zoom h5 vs zoom h6 – none:
The Zoom H5 is a clear successor to the H4n, and it has some distinctive improvements. Most noticeable are the big knobs dedicated to. The H5’s XLR inputs are “combo” inputs, which means you can also connect equipment that uses 1/4in TRS plugs, such as guitars and other instruments. I listened to some audio comparison videos online that highlighted the difference in quality between the Zoom H1 and the Zoom H5 and Zoom H6.
Ty Ford Audio and Video: ZOOM H5 – Somewhere Between H4 and H6 – Features Face to Face
Sep 15, · The Zoom H5 delivers a maximum of four XLR/TRS inputs as well as an X/Y capsule on top. Its battery life is more than double that of the H4n Pro, and it offers easier controls. However, if you’re looking for maximum features and a highly flexible, quality recorder, then consider the Zoom H6. Even though it’s the priciest Zoom option in this line-up, this is . Nov 13, · After some time I sold the H5 and got the H4n Pro. It has the same preamps as the H5/6 and a dedicated multi-track mode which makes it better for my purposes. They’re all pretty easy to use and well built. The main compelling reason to go for the H6 I think would be if you need all four XLR inputs. Reactions. Sep 13, · The H5 has a backlit LCD display, while the Zoom H6 has a larger, full-color display. This display is also mounted at an angle, making it easier to read as you record. The display on the Zoom H6 also offers more information than the screen on the Zoom H5.
– Zoom h5 vs zoom h6 – none:
The reason is because it’s far more portable, whilst delivering similar quality. As a digital nomad, I travel around, and I can’t always know what the acoustics of a place will be when I’m booking it. As a result, I use a highly directional microphone, which will mostly just focus on my voice, and it will ignore the sound reflections coming from the side, and other unwanted noise coming from the back.
This can be a good or a bad thing, depending on the situation. Next up, I wanted to cover one of the more useful features of this device, and at the same time discuss its unfortunate limitations. The Zoom H5 has a feature called a dB backup. What it does is when recording, it creates a backup of your recording, which is dB quieter. The reason for this is that if you get too loud when recording, and you get distortion, you can go into the dB safety track, and replace the distorted clip with the quieter, undistorted version.
This sounds fantastic in theory, but there is an issue. When I first heard about this, my assumption was that this feature could be applied to all four inputs, or at the very least the two built-in ones. The strange thing about this is that I’ve seen quite a few conflicting opinions online. Some people say that they’ve managed to get backups of XLR microphones, other say that they can’t. That might actually work, but that’s a use case that applies to very few people.
This does not affect someone like me, who uses the Zoom H6 in conjuncture with the SGH-6 Shotgun Microphone Capsule, but it would impact someone recording a podcast for example. I assume this feature is incomplete due to a limitation in processing power. If you know a workaround for this, make sure to leave it down below in the comments. Now that we’ve covered safety tracks, I actually want to talk about setting healthy levels, and how to avoid needing a backup track in the first place.
Here is the simplest way I can describe setting levels: Peak as high as you can, without actually clipping. In practical terms, set your levels so that you don’t really peak above -6dB, try to keep the average around dB, with softer sounds hitting around dB. You’ll find a lot of debate online as to how you should set your levels, but use the numbers I’ve given you, and play around with your device until you get results that you like. When in doubt, it’s better to set them too low, than too high.
If it’s too high, your recording will be distorted, which will make it unusable. If it’s too low, you’ll get hiss in your recording, but that’s preferable to the alternative. Let’s talk about sample rates, bit depth, and file types. I’m not only going to run you through which sample rates, bit depths, and file types are supported by the Zoom H5 , but I’m also going to tell you which you should use. First off, you can pick between 16 and 24 bit rate.
Not going to go too deep into this one, just go ahead and stick with 24bit. In terms of file type, always use. WAV files. This will produce a file that is rich in audio information, which is preferable to an. MP3 intentionally excludes some data, which will somewhat degrade the quality of your audio, in the interest of a smaller file size.
The only instance you’d want to use the. MP3 format is if you strictly use your Zoom H5 as a dictaphone. Finally, the LCD display at the top clearly displays the information you need, including recording duration and audio levels.
The display features a calming white backlight that automatically turns on when you press a button, allowing you to check your levels even in complete darkness. However, when you mainly need a recorder for working with professional XLR mics, everything else is just taking up space.
The H5 features a modular design that allows you to choose what features you want. The included XY mic can be detached with the press of a button, giving you a solid recorder with clean XLR inputs in an even smaller package. Some audio recorders are designed to be mounted directly under your camera, which on paper sounds like it would result in a nicely integrated unit.
However, in reality, you end up with a setup that is unwieldy to hold and too tall to shoot with. However, Zoom intended for the H6 to be an upgrade of the H5. Zoom has also released H1n as an upgrade to H1 , which really worth it. So, is the Zoom H6 really an upgrade on the Zoom H5? The Zoom H5 feels really durable. The plastic feels strong and durable and it is, in fact, strong and durable. The Zoom H6 is quite similar to the H5 in terms of build material.
Zoom apparently thought it wise not to change a winning formula. Good call if you asked me. Of course, they come in black — both the H5 and H6. No fancy stuff there at all. These kinds of recorders are optimized for function, with less focus on aesthetics. The Zoom H5 has two additional ports that you can use to connect external mics. For the H6 , you have four such ports. Both recorders have knobs to adjust the gain of all mics connected. This means that with the right connector, you can attach a shotgun mic to your recorder.
It also four XLR inputs instead of two, a better display panel, and other additional features. I am also keen on using an audio recorder from time to time when recording vlogging style videos, whether at home, in my car, walking, or whatever.
When I do that, portability is important, since I do not need to plug in an additional microphone via an XLR port. It is also clear that while the Zoom H5 is smaller than the H6, it is far from portable. Therefore, instead of using one audio recorder for everything, I feel that it is better for me to use the Zoom H6 for recording audio at home and a portable audio recorder such as the Zoom H1 when I am on the move.
The Zoom H1 attached using the hot shoe interface. Or underneath my camera using the method explained by DPReview member 2eyesee in this thread :. I listened to some audio comparison videos online that highlighted the difference in quality between the Zoom H1 and the Zoom H5 and Zoom H6.
The Zoom H5 and Zoom H6 sound identical as they use the same microphones. I realise that the Zoom H1 will still give me infinitely better audio quality than any built-in camera microphone, though I would prefer my portable audio recorder to have a similar quality to the one I have at home. I know the zoom H6 is better but to me it is better to have the recorder in the right place. I put a lapel mic on the groom and the zoom goes into his pocket.
It is a better sound than a wireless mic. I also try to put one on the podium of the priest and keep on on my camera. I believe in having a back up to a backup as far as sound goes. Size won’t be an issue if I am recording at home, plus I need a recorder that has XLR inputs so that I can connect my microphone, however I would like to get the Zoom H1 as well for the reasons you just said.
I find I have to boost the bass and mids a bit with voices to get a good sound from H1 recordings. Yeah the audio tests I listened to on YouTube illustrate that the microphone is not as good as the one on the Zoom H5 and H6.
There are a lot of other portable audio recorders available from brands such as Tascam, Olympus, Sony etc. Anyone tried an alternative to Zoom H1 and found it produced better audio? I am sure there are lots of recorders better than a Zoom H1 but I don’t think that most would be better to the point that a listener would really notice. Have a listen to this audio test that compares the Zoom H1 and Zoom H6. You can clearly hear the difference in quality between the H1 and the H6.
Similar tests with the Zoom H5 produce the same results since the H5 and H6 use the same mic capsule system. It is no surprise that the H5 and H6 sound better since they are more expensive and were released years later. However, I imagine there are other portable devices available from rival companies that were released after the Zoom H1. I have seen many comparisons to the Zoom H1, but the audio recorders being compared all seem to be much bigger. Size comparison screenshot taken from this video.
Looking at the size of other audio recorders, there seems to be few available that even come close to the portability that the Zoom H1 offers. So the Zoom H1 could win by default. Like I said the H1 is a great portable audio recorder.
Its just not best suited for studio-type work because the frequency range isn’t as wide as some recorders with better mics or a dedicated mic. I’ve used it in a soundbooth and it always sounds like you’re talking into a jar, so voices need some work to sound more authentic.
No, there are actually six! If you prefer the KM84, then maybe not. This made me notice a nice feature of the H5; the red record meters blink when the inputs are overdriven, bringing your attention to the fact that you need to do something. Thank you Zoom. If the ambient noise had been as high as average street level, it would have masked the hiss. A mic with more sensitivity or a louder source would require less heavy lifting from the XYH-5 module and result in lower noise.
Each input has a separate gain control. Again, using the Audio-Technica AT mic in battery powered mode, this time with XLR connectors, I was able to get a very satisfactory recording with average noise and the EXH-6 gain controls set to out of Next I plugged my semi-acoustic Telecaster into input 1 on the bottom and an Audio-Technica AT battery-powered electret condenser shotgun into input 2 of the EXH-6, adjusted levels and had a blast recording a couple of tunes at bit, I pulled out the SD card and pulled the files into Pro Tools 10 using a card reader.
I stuck the SansAmp PSA-1 amp simulator in the guitar track to make it a little nasty and did a quick mix. Good, solid sound. I probably wouldn’t use all of the features on the H5 , but you might like them. Take the tuner; no big deal, right? The tuner is not as fast as my Snark. It takes more time to re-register that I have moved on to the next string, but seems about as accurate. The tuner requires that you plug into inputs 1 or 2.
Glitching occurs pretty quickly as you slow down, as expected. Speeding up works better. This is a per clip adjustment, not global. You select one clip at a time and change its playback speed with the thumbwheel.
The H5 may also be used as a computer audio interface. The H5 front panel informed me that it was going to record at 48kHz until I committed to a new Adobe Audition session at Then the H5 switched to Zoom is correct! Plugging directly into the H5 resulted in serious clacking and quacking and finger squeeks were huge. I suspected an impedance mismatch because the Pure Western Minis like seeing a very high input impedance.
Then I ran into some sync and sound issues. While recording through the H5 to Audition, the guitar sounded chorused, just going in. There were also some ticks that I usually associate with clock errors. The H5 was chosen as input and output device from the Mac Audio Control panel. Master Clock was H5, Source was Internal. I thought that might be the problem but was unable to change it.